Franklin Bowles Gallery         Somehow the true greatness of Picassos nontextual matter has always been beyond me; as hard as I tried, I could not see what made him so impressive. I was of the opinion that real art had to be aesthetically pleasing, as well as exhibit innovation and creativity on the part of the artist. And frankly, I didnt see superstar or the other when I looked at Picassos work ahead seeing some of his pieces in person at the gallery.
        To begin, the complete accomplish of etching was so amazingly painstaking to me that I could not believe any artist would put onward all that effort for such a small, colorless, and simple picture. However, upon close together(predicate) inspection I saw that through the etching process artists like Rembrant and then Picasso, years and years later however still using the same technique, were able to create fine masterpieces. And it was the fact that they had used the etching technique that made them so impressive, rather than ridiculous like I had first thought. The pointedness that the artists were able to get into the elfin pictures amazed me; the careful blend to create dimension, and ability to capture minute details of expressions on faces were impossible to not appreciate.
        Im almost embarrass to admit now that Picassos sketches had always seemed rather childlike and boring to me. I clearly had neglected to use my liking when viewing his lotterys.
With a few simple yet utterly calculated lines, Picasso was able to create figures that suggested shape and form, instead of scarce giving it to the viewer, which could be considered the lazy mans way. Since Matisse is one of my absolute favorite artists, it was a treat to see his beguile be carried over into Picassos work. The upholstery of the armchair in Picassos drawing is undeniably the effect of time spent with his friend Matisse, and I think its nice to welcome a little design in a sketch that has little or no content value, which Picasso typically seemed to avoid. Regardless, I was thrilled to have seen so many of his works in person, and I in spades increased my appreciation for and knowledge of Picasso in that quick trip.
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