Hello and welcome to the characterisation show. This week we have James Pearson, a recognised Shakespearean authority and critic to discuss ii film adaptations of the Shakespearean play Othello. Oliver Parker?s 1995 production and Tim Blake Nelson?s ?O? will be the two films analysed against the original play. James, which do you think better re limns Shakespeare?s original intent? intumesce Paul, it would be very hard to decide because the engineer audition is vastly different for each movie. Both directors attempted to regenerate their productions, but they each had diverse intents for their films and unique interpretations of the play. Blake Nelson?s ?O? is directed at a modern day puerile audience, and is an alternative reading of the text, speckle Oliver Parker?s audience is a broader demographic, focussed particularly on Shakespearean fans. It is much a dominant reading of the original play.
So how have the differing target audiences and readings of the text affected the plot development of each movie?Both directors have changed or added persuasions to the plot to attempt to acquire their productions. Parker has closely followed the original plot, adding a handful of scenes and cutting over half of the original script in order to present it in a two hour time slot.
He uses a number of events, such as the sex scene between Othello and Desdemona to replace text from the original play while still portraying the same idea. In these added scenarios, he has advisedly retained the original discourses in the play, even enhancing several aspects. For example, Parker is metric to play up the love affair between the entitle character and his wife so that when the inevitable occurs, it has a more profound impact. When Othello declares, My life upon Desdemonas faith, you believe him. Nelson has also followed the storyline from the...
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