The 1980s marks the introduction of what many people call the Cuban Renaissance. Throughout this time, there were many works of art that were being made by a generation of Cuban artists who broke away from state regulated images they were supposed to follow. They started creating art that was to a greater extent unique and individual. This heathen example is surgical incision of what is called Postmodernism.
The generation of Cuban artists who started this was called the first generation artists.
One artist involved in this Cuban Renaissance was Jose Bedia. Bedia was born in Havana, Cuba in 1959. Bedia was interested in, (like many first generation artists) experimenting in dissimilar ways, both officially and through iconography, to break away from restrictions that were very much part of the work made in the 1960s and 1970s. So the essence of the Cuban Renaissance was all about breaking new priming and coming up with fresh, new art.
Jose Bedia was trained in western sandwich Art. His work has always generally focused on Afro-Cuban and Ameri cigaret culture. When you go through and study his work you will down that he often refers to the Santeria. The Santeria is one of the four religious cultural Afro-Cuban groups that is in Cuba.
From the time of the mid-1970s, Bedia had been making art that specifically was stressful to convey and define his own heritage. He was concerned in shaping the differences between the languages, beliefs and values of other people and cultures that he had been in contact in, especially American.
Also another element that you account in Jose Bedias art work is that traditional dichotomies between indigenous and modern, mythological and factual, and nature and culture. So in his work you can frequently see a mixture of two different stories going on along with conflicting and diverse...
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