Sunday, May 17, 2020
Art Of Near East Royalties - 1786 Words
Jinhwan Kim Professor Debin ArtHist 112 08 November 2016 Art of Near East Royalties Many people speculate on ancient artifacts with an eye towards its aesthetic value of contemporary etic perspective. While most people are not professional anthropologists who would try to be an anachronistic spectators of a so-called ââ¬Å"unknown ancient societyâ⬠, the interesting historical and cultural aspects are embedded within every art piece throughout the ancient world. The ancient near east nations were characteristic in their own values just like any contemporary society, and they are worth the discussion through various aspects such as cultural, ideological, and historical. The first art piece called Ashurnasirpal II and a Winged Deity, discovered in Northern Iraq, Nimrud, in 9th century BC opens our exhibition of ancient near east art. The presence of many contents such as artistic canon, hierarchy of scale and composite view is most correspondent to the characteristics of Old Kingdom period of Egyptian art. The subject depicted in the panel is king Ashurnasirpal II on the left and the winged deity, god Ashur. In addition to details, hierarchy of scale is used for clarification; both king and the winged deity fully occupies the entire panel in absence of background features, and the deity is shown to be slightly taller than king Ashurnasirpal ii, to clarify its identity. The hair, wings and clothes in both subjects are very much stylized, not very naturalistic, with circular spotsShow MoreRelatedAncient Works of Art in Fred Kleinerââ¬â¢s Gardnerââ¬â¢s Art Through the Ages772 Words à |à 3 PagesIn Fred Kleinerââ¬â¢s Gardnerââ¬â¢s Art Thr ough the Ages, he has listed some of the oldest and most ancient works of art discovered from different archeological site, which were later transferred to various museums. 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Located within the Cleveland Museum of Art, Saluting Protective Spirit appears overwhelming in size, standing nearly 90.5 inches tall and 53.8 inches wide. The piece is entirely taken up by the depiction of the spirit. This paper will employ close visual analysis of Saluting Protective Spirit, describing the significance and functionality of wall reliefsââ¬â¢ and their relation to royalty within the Neo A ssyrian time period. Saluting Protective Spirit was one ofRead MoreWall Decorations Essay1345 Words à |à 6 Pagesfor the artists were in effect making an eternal world for the deceased king. The exigencies of tombs curtailed and hurried burials may have thwarted this goal on many occasions, but what the artists did achieve stands nonetheless among the greatest art of the ancient world. The process by which these decorations were achieved is quite well understood. In some cases, though not all, draughtsmen laid out the representations using grids made by measuring rods and paint-covered strings snapped against
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