Scene 1 - Main Titles         The movie starts off from the perspective of a theatre, setoff in pitch black, with a composition of chatter, which would be the said(prenominal) as if you went into a real theatre, the sound of everyone calming push through and directting themselves comfortable, then as the lights come on the mix in in orchestra starts.         The conductor I feel is added for a bit of comedy, to contrast with the beginning sadness of the installation.         The twentieth century put off logo, which everyone is wedded to seeing, is noticed again as Bazz Luhrmann has given the introduction and source credits an olden day feel, simulating the scratching you worry on the old films.         After the 20th century throw off logo, when the movies developed opening credits begin, the music chosen is common chord unalike songs, which are The sound of music, ???? and The CanCan to give a (cant withdra w of the word, it means example of the songs shown) of a few of the songs utilise in the movie.         The fast tempo acceleration of The CanCan music with the silhouette of a can can dancer in the accentuate gives the physical body a exciting element, which cuts sharply to the tranquil old fashioned footage of the title Paris 1900 to give the sense of hearing a refrence point. Scene 2 - There Was A Boy...
        The camera zooms in onto the screen, cropping the theatre stage and the conductor, implying that its grave stuff now, and not merriment and games.         The scene first shown is of Christians apar! tment, with the Lamour brand shown prominently, revealing to the French-speaking earreach that the movie is about love, on the left of the apartment is Toulouse-Lautrec (John Lequizamo) sing Nature boy (written by Eden Ahbez), when he starts render about a very fantastical and enchanted boy... If you want to get a full essay, ordination it on our website:
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