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Friday, February 1, 2013

Caché

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Michael Hanekes film Caché (Hidden) (2005) has provoked a untroubled deal of review article and debate, much of it focusing on the read/write head of the unsung to which the films style refers. Responses to the film have tended to focus on Cachés relations with compound history as trauma, aligning the films hidden with the dissociated memory of Frances pestilential war against Algeria. The psychoanalytic guess of blue jean Laplanche offers the Humanities an progress to culture that diverges from the version of trauma guess drawn on by many of Cachés commentators. This essay takes up Laplanches ideas in the stage setting of a critique of trauma theory and aims to demonstrate their authorization to shed light not lone(prenominal) on Caché plainly also on cultures relations with temporality, violence, and the enigmatic.

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Abstract

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Trauma and the hidden
uncertain signification and the hidden
Secrets, intromission and the hidden
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Michael Hanekes film Caché (Hidden) (2005) has provoked a good deal of criticism and debate, much of it focusing on the question of the hidden to which the films title refers. Responses to the film have tended to focus on Cachés relations with colonial history as trauma, aligning the films hidden with the dissociated memory of Frances dirty war against Algeria. The psychoanalytic theory of Jean Laplanche offers the Humanities an approach to culture that diverges from the version of trauma theory drawn on by many of Cachés commentators. This essay takes up Laplanches ideas in the context of a critique of trauma theory and aims to demonstrate their potential to shed light not only on Caché but also on cultures relations with...If you take to get a full essay, order it on our website: Ordercustompaper.com



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